Carrier: Neither Curve Nor Edge
Neither Curve Nor Edge, his new EP along which he launches a self-titled label, does exactly what the title promises: avoid overly risky curves and edges as far as possible.
However, this is not to say that the four tracks are easy listening or even light fare. Actually, all the contrary. Guy Brewer, with his latest moniker Carrier, manages to achieve a depth and impact through reduction and by carefully placing effects, rather than overfilling. Resulting in creeping, hazy productions with all the bells and whistles of IDM, underpinned by the unshakeability of techno.
On the A‑side, Brewer showcases his ability to transform electronic percussion sounds into something that feels natural. The drums in “Shading” mimic the intensity of a boiling kettle, while “Into The Habit” evokes the rattle of a snake’s tail. Both tracks progress with a slow, ominous pace, featuring deep kicks saturated in reverb that create expansive icy landscapes.
In contrast to the A‑side’s powerful presence, the flip side adopts a more spontaneous approach. It feels lighter, airier, and more curious in its movements. The intricately textured standout track, “The Motions,” is dynamic to the extent that it demands attention to its layered elements. The kickdrums have a bouncy quality reminiscent of basketballs on maplewood, and serene pads create a captivating backdrop for a complex interplay of mechanical chirps. “Still So,” with its metallic tones, resonates and carves through itself against a backdrop of icy pads.
“Neither Edge Nor Curve” is a rugged and enchanting form of dance music that simultaneously calms and provokes. In his second release under the Carrier alias, Brewer ventures beyond his comfort zone, exploring unconventional sonic landscapes that defy traditional shapes and boundaries.
Listen to the full EP.